Jumping Ship

“Man, used to be, if a driver didn’ show up to a Syndicate job,” Dixie said, “they’d track his ass down’n break his legs for us.”

“Seriously,” Cleo agreed. “What are we even paying them for anymore? We shouldn’t have to pull this fucking 1930’s shit.”

The job was technically successful, but it had been a logistical disaster. The driver assigned to their crew had never shown. They had tried to hold out, and their lookout had been shot and killed in the street. Once the two of them realized they were on their own, they’d had to improvise. They fought their way to the parking lot of the bank, a pitiful two bags of cash between them. Dixie held off the cops while Cleo hot-wired a car, and they made a sloppy escape. Not being getaway drivers themselves, and therefore not having a git prepared, it was a miracle they managed to lose the cops. They’d made a lot of handbrake U-turns and finally stashed themselves in an alleyway while the cops flew by.

“We need to get out of this car. It’s hot as hell now,” Cleo said, getting out. She peeled her nitrile gloves off and stuffed them on her pants pocket. She then began peeling her Syndicate-required domino mask off, the eyelash glue holding it on tugging at her skin and leaving little rubber cement-like blobs in the mask’s wake. Dixie yanked the bags of cash out of the backseat, tossed them out, and then followed her example.

“Lose the jackets too,” Cleo said, shrugging out of hers. “The less Syndicate we look, the better.”

Dixie pulled her jacket off begrudgingly.

“They make us pay for these,” she complained, holding it out to Cleo’s outstretched hand.

“Tough shit,” Cleo said, tossing them both back in the car. She then started rolling up her sleeves and loosening her tie. Dixie chose instead to undo her ponytail, lose the tie altogether, and untuck her shirt, tying the tails into a crop top. Syndicate operatives were required to wear a very strict and tidy uniform, so the more disheveled they looked, the less suspicious they would be if they were spotted.

Cleo gave Dixie a once over, snorted at the slapdash shirt re-imagining, but ultimately accepted the change in appearance. They both collected their duffel bags and sneaked several alleys away from the ditched car before stopping to decide how to proceed.

“What’re we gonna do now?” Dixie asked, setting her bag down and sitting on it. “I mean, we can call the Syndicate and tell them to send someone, but we wouldn’t be here in the first place if they could arrange a fuckin’ ride worth a damn.”

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October 2017
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 Gettin' ready for MIME TIME.  Very Legends of the Hidden Temple.
 Bite Street Bistro (in La Cantera, not to be confused with Bite Restaurant in Southtown) shrimp burger and fries!  At the Aztec Theatre to see Dita Von Teese again!


  • photo from Tumblr


    René Lalique, Bat anklet, 1898-1899. 

    Opals, diamonds and blue enamel.

    Photo by Jean Tholance.

    Museé des Arts Decoratifs, Paris, France.

    In 1899 Liane de Pougy commissioned two pieces of jewelry by René Lalique as gifts for Natalie Clifford Barney. One was an opal, diamond and blue enamel anklet and the other a silver, enamel and moonstone ring. Both pieces were decorated with a bat motif, an extremely unusual and highly evocative image for the period. The bat has the highest rate of homosexuality among mammals and their sexuality was first studied in 1895 by Raymond Rollinat and Édouard Louis Trouessart (French). The image of a bat became a symbol of homosexuality. (x)